California: The Art of
Water
July 13 - November 28, 2016
Wall panel texts
California: The Art of Water
Introduction
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- California has one of the largest and most complex water
systems in the world, and images have played a central role in its creation.
Artists who arrived during the gold rush found an arid region very different
from the places they had left in the East. In a territory where fresh water
is precious, they portrayed prosperous farms and locales in the wilderness
that abounded in rivers and lakes. Later image makers broadened the early
vision of California as a land where there is enough water for every use,
depicting sparkling swimming pools and oranges ripening on the bough. Such
representations went hand in hand with business promotions to attract newcomers
to the state.
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- As images of a well-watered California circulated around
the nation, many artists began to reveal the state as a place of droughts
and inundations, where the control of water exacts a steep price. They
explored the immense and growing array of waterworks that booming cities,
irrigated agriculture, and flood control require -- titanic dams and concrete
canals that run for hundreds of miles. They also pictured ravaged landscapes
that embody the state's chaotic water laws and the disregard for the natural
environment that took root during the gold rush. These works bear witness
to the fact that California's current water system cannot sustain a growing
population. Looking towards a future of escalating conflicts over a critical
resource, they challenge us to look at places where people and nature are
opponents in a zero-sum game.
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- Exhibition credit line:
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- This exhibition is organized by the Cantor Arts Center
with guest curator Claire Perry. We gratefully acknowledge support from
the Loughlin Family Exhibition Fund, the Bill and Jean Lane Fund at the
Cantor Arts Center, Mary Anne Nyburg Baker and G. Leonard Baker Jr., the
Terra Foundation for American Art, the Clumeck Fund, and the Special Exhibitions
Fund.
Bay I section text:
- Many eminent artists and photographers of the 19th century
depicted pristine water scenery in California's wilderness areas. Transporting
heavy loads of paint boxes, easels, cameras, glass negatives, and tripods,
they trekked over rugged terrain to portray crystalline lakes and cataracts
streaming down steep mountainsides. Their pictures offered evidence not
only that California had plenty of water, but also that the refined world
of art had declared it ready for nature viewing. Artists in the 20th and
21st centuries continued to make pilgrimages to places that had become
icons of California's natural bounty.
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Bay II section text
- Water has always been a prominent feature in works of
art portraying enterprise in California. Paintings and photographs show
that water has been harnessed to prospect for gold, build cities, and irrigate
farmland. Hints that development can take place without regard for long-term
water planning sometimes seep into artistic images, revealing curious undertakings
on the edge of the continent -- towns built in areas that flood regularly
and crops growing in deserts. California emerges in art as a place where
human activity defies the limitations of nature.
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