2006-2009 Resource Library articles and essays with the topic "American 19-20th Century Figurative and Portrait Art"

 

(above: William Merritt Chase, Bessie Potter, c. 1895, oil on canvas, 32 x 25 5/8 inches, Metropolitan Museum of Art (NYC). Bequest of Bessie Potter Vonnoh Keyes, 1954.  Public domain, via Wikimedia Commons*)

 

Out of the Background: Cecilia Beaux and the Art of Portraiture; essay by Tara Leigh Tappert (9/25/09)

Paper to Paint: Edward Hopper's "Hotel Lobby"; monograph by Harriet G. Warkel (8/5/09)

Reconfiguring the Body in American Art, 1820-2009 (7/29/09)

Portraiture: the 19th and 20th Centuries; essay by Joseph S. Trovato (6/1/09)

The Figure in American Art: 1764-1983; essay by John I.H. Baur (1/12/09)

Thomas Eakins and The Academy; essay by Louise Lippincott (7/31/08)

Faces and Figures: Portraits from the Florence Griswold Museum (10/22/07)

Cecilia Beaux, American Figure Painter (5/31/07)

Whistler, Lithography, and the Art of Antagonism; essay by Jeffrey Ruda (1/29/07)

Painterly Controversy: William Merritt Chase and Robert Henri (1/23/07)

Self/Image: Portraiture from Copley to Close (9/6/06)

 

Return to Figurative and Portrait Art: 18-19th Century, 19-20th Century, 20-21st Century

Return to Topics in American Representational Art

 

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TFAO's Distinguished Artists catalogue provides online access to biographical information for artists associated with this state. Also, Search Resource Library for online articles and essays concerning both individual artists associated with this state's history and the history of art centers and museums in this state. Resource Library articles and essays devoted to individual artists and institutions are not listed on this page.

*Tag for expired US copyright of object image:

Links to sources of information outside of our web site are provided only as referrals for your further consideration. Please use due diligence in judging the quality of information contained in these and all other web sites. Information from linked sources may be inaccurate or out of date. TFAO neither recommends or endorses these referenced organizations. Although TFAO includes links to other web sites, it takes no responsibility for the content or information contained on those other sites, nor exerts any editorial or other control over them. For more information on evaluating web pages see TFAO's General Resources section in Online Resources for Collectors and Students of Art History.

 

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