Delaware Art Museum
(above left: Atrium Gallery; right: exterior, Delaware Art Museum, photo by John Hazeltine © 2000)
Wilmington, DE
302-571-9590
Stuart Davis in Gloucester
January 21 - March 19, 2000
"Stuart Davis in Gloucester," on view at the Delaware Art Museum from January 21 through March 19, 2000, includes over 60 paintings and works on paper that survey Stuart Davis's work in the coastal town of Gloucester, Massachusetts.
The exhibition traces Davis's development in his treatment
of the Cape Ann landscape and seascape from his
early post-Impressionist approach to the evolution
of his geometric and brightly colored signature style. The wharf in the
harbor, boat riggings and masts, the crisp angles of New England houses,
the rhythms of waves and the white light of this seaside village inspired
Davis and reverberate throughout this important body of work. Included with
the exhibition is rare archival material on loan from the estate of Stuart
Davis. (left: Stuart Davis (1894-1964), Morning Walk, 1919,
oil on canvas, 24 x 30 inches, Collection of Earl Davis, courtesy of the
Cape Ann Historical Association)
At the suggestion of John Sloan, Davis (1894-1964) spent
19 summers in Gloucester, an artists' colony. For
several years Davis lived with Sloan and his first
wife Dolly in a red cottage in East Gloucester, along with other artist
friends. Davis, as well as other artists who followed in the footsteps of
"The Eight," was influenced by European art - in particular the
French Impressionists and Post-Impressionists. Davis's later works also
showed a significant Cubist influence. (right: Stuart Davis (1894-1964),Autumn
Landscape with Horse, c. 1919, oil on canvas, 23 7/8 x 29 7/8 inches,
Collection of Earl Davis, courtesy of the Cape Ann Historical Association)
It is particularly appropriate for the Delaware Art Museum to present "Stuart Davis in Gloucester," as the museum is the world center for John Sloan studies with over 4,068 works by the artist. Also, the museum has benefitted for decades from the collaboration of Sloan's widow, Helen Farr Sloan, who is helping to interpret and illuminate her late husband's unique place in American art history.
Running concurrently with "Stuart Davis in Gloucester"
will be The Red Cottage Artists, a cameo exhibition of
paintings
and works on paper by artists who also lived in the red cottage over the
years. The works will be enhanced by important archival materials from the
Delaware Art Museum's singular collection. On view will be works by additional
artists John Sloan encouraged to stay in the red cottage, including Charles
Allen Winter and Alice Beach Winter. In their Gloucester retreat, they experimented
with new ideas and techniques such as the Hardesty Maratta color system.
(right: Stuart Davis (1894-1964), Landscape with Drying Sails, 1931-32,
oil on canvas, 32 x 40 inches, Courtesy Columbus Museum of Art, Ohio, Museum
Purchase, Howald Fund II, 1981.012)
"Stuart
Davis in Gloucester," organized by the Cape Ann Historical Museum in
Gloucester, is accompanied by a catalogue with essays by Judith McCulloch,
Director of the Cape Ann Historical Museum, and Sharon Worley, Curator,
as well as scholar Karen Wilken. This exhibition is supported, in part,
by The Discerning Traveler and the Delaware Division of the Arts. (left:
Stuart Davis (1894-1964), Landscape in the Color of a Pear, 1940,
oil on canvas, 15 x 22 1/8 inches, Courtesy of the Montclair Art Museum,
Museum purchase, prior bequest of Florence O. R. Land, prior gift of John
Ritzenthaler and Acquisition Fund, 1997.6)
.
Read more about the Delaware Art Museum in the Resource Library
For further biographical information on selected artists cited above please see America's Distinguished Artists, a national registry of historic artists.
rev. 12/23/10
Search Resource Library for thousands of articles and essays on American art.
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