Newport Art Museum
401-848-8200
Following the Thread: Contemporary and Historic Rhode Island Quilts
Opening on September 23, "Following the
Thread: Contemporary and Historic Rhode Island Quilts" features the
work of sixteen contemporary Rhode Island quilt artists, as well as several
historically significant quilts. The exhibition will continue through December
31, 2000. (left: Michele Leavitt, Fabric of Life, 2000)
The theme of the exhibition revolves around stories, whether
narrative or conceptual, whimsical or tragic. 2000 pieces of fabric went
into Marie Thursto
n's
vibrant millennium quilt, Grand Finale. Fragile, by Ann Confone,
is an allegory showing the fragility of the human spirit, depicted through
the simple symbols of fruit. American Nightmare, by Margaret Townsend,
dramatically suggests the threat of violence in the family. In contrast,
Michele Leavitt takes a humorous, yet incisive look at genetic engineering,
in her Fabric of Life, with its "jeans" and "genes"
interplay. Traditional techniques of piecing and appliqué are augmented
by embellishments and hand-painting in these modern works. These quilt artists
are building upon an art form that has existed for over two hundred years
in the United States. (right: Frances Moria Prentice Palmer (1828-1906),
Crazy Quilt, 1885, Newport Art Museum, 997.1.3, Gift of Cynthia McCaw
Palmer, in honor of the Palmer women. Photo courtesy of Rhode Island Quilt
Project)
Quilting
was a creative outlet for women in the nineteenth century America. The spheres
of home and family inspired their work that took the form of bridal quilts,
baby quilts, friendship quilts and mourning quilts. The Newport Art Museum
is privileged to have in its collection six late nineteenth century crazy
quilts gifted by Cynthia McCaw Palmer, in honor of the Palmer women. Two
of these works will be included in the exhibition. Their makers had access
to beautiful, bright silks, not typical of other more subdued works of the
period. In contrast to the glorious disarray of these quilts, those featuring
the ordered patterns of "streak of lightening," "ocean waves,"
and "zig-zag" will show how nineteenth century women created abstract
designs that relate to modern art. (left: Margaret Townsend, American
Nightmare, 87 x 56 inches)
The exhibition has been organized by Curator Nancy Whipple
Grinnell and Tora Sterregaard, a quilt
maker from Connecticut and a graduate student in textile
conservation from the University of Rhode Island, Several of the historical
quilts are included in the Rhode Island Quilt Documentation Project, organized
at URI. (left: Barbara W. Barber, The Secret Place, 43 x 50
inches, 1996)
One component to the exhibition will include a display of part of the AIDS Quilt and a story quilt made by students at the Pennfield School. In addition representatives of the various Rhode Island quilting guilds will work to complete a commemorative quilt on the Challenger disaster, made by Newport quilter Edna Seaforth.
Read more about the Newport Art Museum in Resource Library Magazine
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This page was originally published in Resource Library Magazine. Please see Resource Library's Overview section for more information. rev. 4/4/11
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