The Norman Rockwell Museum at Stockbridge
Stockbridge, MA
413-298-4100
Norman Rockwell: Pictures for the American People
America is falling
in love with Norman Rockwell all over again. Following successful engagements
in Atlanta, 
Chicago, Washington, D.C., San Diego and Phoenix,
Norman Rockwell: Pictures for the American People is coming to the
Norman Rockwell Museum in his beloved hometown of Stockbridge for an exclusive
New England appearance from June 9 to October 21, 2001. More than three-quarters
of a million people will have seen this landmark exhibition of more than
70 of Rockwell's original oil paintings and all 322 of his Saturday Evening
Post covers by the time it arrives in Stockbridge. (left: Rosie
the Riveter, 1943 © Curtis Publishing Company, The Saturday
Evening Post cover, oil on canvas, 52 x 40 inches, C403, Private collection;
right: Girl with Black Eye, 1953 © Curtis Publishing Company,
The Saturday Evening Post cover, oil on canvas, 34 x 30 inches, C466,
Wadsworth Athenaeum, Hartford, CT, Gift of Kenneth Smith)
"It's a joy to be able to present a major comprehensive
exhibition to the nation with well-known works from our Museum, as well
as rarely-seen classics from private collections and other institutions,"
says Laurie
Norton
Moffatt,
director
of the Norman Rockwell Museum. "We've watched with pleasure as a new
generation has discovered the power of Rockwell's original paintings. It
was heart-wrenching to send some of our most-loved Rockwells on the road,
but we knew the reward would be the return of this big, glorious show to
Stockbridge where all of New England would be treated to a once-in-a-lifetime
opportunity." (left: Doctor and Doll, 1929 © Curtis
Publishing Company, The Saturday Evening Post cover, oil on canvas,
32 x 26 1/4 inches, C303, Private collection; right: Shuffleton's Barbershop,
1950 © Curtis Publishing Company, The Saturday Evening Post
cover, oil on canvas, 46 1/4 x 43 inches, Collection of the Berkshire Museum,
Pittsfield, MA)
Norman Rockwell: Pictures for the American People will make its final stop in New York City at the Solomon R. Guggenheim Museum (November 16, 2001 - March 3, 2002). The exhibition is organized by the Norman Rockwell Museum and the High Museum of Art in Atlanta.
Norman Rockwell's Stockbridge
Those
who visit the exhibition at Stockbridge will be able to walk down Main Street,
Stockbridge, where visitors will recognize scenes that are familiar from
the artist's works and may even catch a glimpse of one of Rockwell's models
or their descendants who still live in the town. Main Street, made famous
by Rockwell, is just minutes from the Museum. (left: Stockbridge
Mainstreet at Christmas (Home for Christmas), 1967 © The Norman
Rockwell Family Trust, McCall's illustration, oil on canvas, 26.5
x 95.5 inches, Collection of the Norman Rockwell Museum at Stockbridge)
I
n
Stockbridge, Rockwell's home for the last 25 years of his life, this extraordinary
traveling exhibition of his masterpieces will take on special significance
while on display at the Norman Rockwell Museum. A number of the paintings
included in the tour, such as Rosie the Riveter, Doctor and Doll,
Girl with Black Eye and Gary Cooper as the Texan, have never
been on view at the Museum. (left: Norman Rockwell painting Stockbridge
Mainstreet at Christmas, 1967, photo by Louie Lamone, photo courtesy
of the Norman Rockwell Museum at Stockbridge)
One special highlight of the exhibition is an adult audio tour created to enhance the visitor's experience that features illuminating interviews with Rockwell's models and commentary by the nationally renowned historian Doris Kearns Goodwin. The exhibition is also accompanied by an award-winning audio tour designed especially for children and families and a fully illustrated, 200-page catalogue.
Excerpts from the catalogue, Norman Rockwell: Pictures for the American People published by Harry N. Abrams, Inc. in association with The Norman Rockwell Museum and the High Museum of Art.
"In
the history of Western art, this idea expresses itself in the traditional
distinction between 'history painting' and 'genre painting.' Genre painting,
in this tradition. concerns itself with 'low' subjects, with everyday people
whose ordinary, inconsequent activities -
eating, gambling, smoking, reading, singing, and
playing the lute - are portrayed as evidence of human vanitas, as
testaments to the perpetual evanescence of earthly desires. History painting,
on the other hand, concerns itself with kings, heroes, gods and saints
and their consequent (which is to say historical) activities. Norman Rockwell's
great achievement was introducing this distinction and investing the everyday
activities of ordinary people with a sense of historical consequence, and
this acute micro-historical consciousness, I think, best explains Rockwell's
survival as an artist of consequence.
The Norman Rockwell Museum and the Rockwell Studio
One of only a handful of single-artist museums in the United
States, the Norman Rockwell Museum is located on a scenic 36-acre estate
with rolling lawns and striking vistas. This inviting setting, where visitors
stroll and picnic on the
grounds and children play on whimsical outdoor sculptures
by Rockwell's son Peter, sets the stage to explore the dramatic Museum building
designed by renowned architect Robert A.M. Stern, who based it on a New
England town hall concept. (left: Norman Rockwell's Stockbridge Studio,
The Norman Rockwell Museum at Stockbridge, photo by James Patrick)
Visitors to the Museum can also experience the intimacy
of Rockwell's Stockbridge studio, one of the few major artists' studios
preserved in the United States, where many of his most famous
works
were created. The studio, moved to the Museum grounds from Rockwell's home,
was left as it was during the last years of Rockwell's life and contains
his 500-volume art library, his furnishings and decorative items, ethnographic
objects,
mementos
collected on his travels and gifts sent by admirers. (right: Interior
of Norman Rockwell's Stockbridge Studio, The Norman Rockwell Museum at Stockbridge,
© Brownie Harris, Courtesy of GE)
Norman Rockwell helped found the Museum, which opened in
1969 and moved to its present location in 1993. The Norman Rockwell Museum
welcomes nearly 200,000 visitors each year and is one of the most popular
year-round tourist destinations in the Berkshires, a resort area offering
a rich array of cultural pursuits and natural beauty. (left: Norman
Rockwell painting Art Critic, 1955, photo by Bill Scovill, photo
courtesy of The Norman Rockwell Museum at Stockbridge)
Additional information on this exhibition (including more images):
Additional resources on Norman Rockwell:
Read more in Resource Library Magazine about the Norman Rockwell Museum
Please click on thumbnail images to see enlargements.
For further biographical information please see America's Distinguished Artists, a national registry of historic artists.
Please click here to view photos of an historic inn in Stockbridge MA
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This page was originally published in Resource Library Magazine. Please see Resource Library's Overview section for more information. rev. 5/23/11
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