Editor's note: Brigham Young University Museum of Art provided source material to Resource Library for the following text. If you have questions or comments regarding the source material, please contact the Brigham Young University Museum of Art directly through either this phone number or web address:
Visions of the Southwest from the Diane and Sam Stewart Art Collection
February 13 - July 3, 2009
In the late 19th and
early 20th centuries, artists flocked to the American Southwest captivated
by its rugged, unspoiled landscape and the native people who 
had been there for hundreds of years. The artistic visions
of this land and its people captured in vivid hues and bold colors on the
canvases of these painters continue to resonate today as museums and collectors
compete with increasing enthusiasm to build collections of Southwest art.
(right: E. Martin Hennings, Indian Horsemen, c. 1925, oil
on canvas, 35 9/16 x 39 7/16 inches)
"Visions of the Southwest from the Diane and Sam Stewart Art Collection," a new exhibition at the Brigham Young University Museum of Art opening February 13, 2009, will feature 124 works of art from the private collection of Diane and Sam Stewart, Utah art collectors and friends of the museum. The oil paintings, works on paper, and sculpture in this collection were created by many of the master artists of Taos and Santa Fe, New Mexico -- including Oscar E. Berninghaus, Bert Phillips, E. Martin Hennings, Joseph Henry Sharp, Georgia O'Keeffe, Conrad Buff, and Freemont Ellis -- as well as their contemporaries in California, Utah, and other Western states. Native American baskets, pots, and rugs from the Stewart's collection and furniture from the Gerald Peters Gallery in Santa Fe will complement a number of the works in the exhibition.
"The Stewarts belong to a tradition of collecting Southwest art," said Museum of Art Curator Paul Anderson. "This art has thrilled people for more than 100 years. And many have come to see the works produced by these artists as truly American because they relate us to our roots and connect us to the unspoiled land of the West."
Anglo artists discovered Taos and other Pueblo settlements
around the rugged Sangre de Cristo Mountains in the late 19th century. By
the early years of the new century, artists' colonies were thriving at Taos
and Santa Fe. Enthralled with the stunning scenic vistas that surrounded
them, the painters were drawn 
even more
by the local cultures that had coexisted in peaceful serenity over the centuries.
These artists, who had mostly trained in Europe and the best Eastern schools,
saw the Southwest landscape and people as fresh subject matter for a distinctly
American art form. They saw the Pueblo culture as a perfect example of a
people gaining strength from lives lived in harmony with nature, a striking
contrast to the fast paced, competitive, industrial culture coming to dominate
the rest of the country.
The generation of artists who arrived before the end of World War I, including Berninghaus, Phillips, Hennings, and Sharp, generally worked in traditional, representational styles they had mastered in their earlier studies. But these Taos artists were impelled to employ new techniques to effectively render the open, arid vistas and hard, white brightness of the high desert terrain. They often used brighter, more intense colors and broader brushstrokes than they had previously employed in their landscapes and figures. Many artists who arrived after 1918, including O'Keeffe, Buff, and Ellis, produced works that were often more influenced by modernist trends that stressed the elemental shapes and the core ideas underlying the dramatic scenery and exotic local culture. Left: Georgia O'Keeffe, White Primrose, oil on canvas, 25 3/4 x 19 11/16 inches)
"The Stewarts have created a harmonious setting for these works of art in their rambling Southwest-style home in Palm Springs, California. The paintings are displayed together with collections of pottery, baskets, and other objects from Native American and Hispanic artists and artisans of the Southwest," Anderson said. "We wanted the museum's exhibition of this superb collection to give visitors a small taste of what it would be like to visit the Stewarts in Palm Springs, surrounded by beautiful art and fine craftsmanship."
"Visions of the Southwest from the Diane and Sam Stewart Art Collection" will be on view in the Marian Adelaide Morris Cannon Gallery on the museum's main level. The exhibition will run through July 3, 2009.
OPENING RECEPTION:
The Museum of Art will host an opening reception for this exhibition on Thursday, Feb. 12, 2009 from 7 to 9 p.m. The Stewarts and museum staff will be available to answer questions about the works in this exhibition during this time. There will also be live music and light refreshments. This reception is free and open to the public.
CELL PHONE & PODCAST AUDIO TOURS:
A cell phone tour will be available for this exhibition. MP3 players pre-loaded with the audio tour will also be available to check out for free from the Information Desk on the main level.
DOCENT TOURS:
Free docent-led tours of "Visions of the Southwest from the Diane and Sam Stewart Art Collection" will be conducted during regular museum hours and must be scheduled at least one week in advance. Tours usually last about one hour. Call (801) 422-1140 to schedule a tour.
Editor's note: RL readers may also enjoy:
Read more articles and essays concerning this institutional source by visiting the sub-index page for the Brigham Young University Museum of Art in Resource Library.
Search Resource Library for thousands of articles and essays on American art.
Copyright 2009 Traditional Fine Arts Organization, Inc., an Arizona nonprofit corporation. All rights reserved.