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Regional Dialect: American
Scene Paintings from the John and Susan Horseman Collection
April 5 - June 28, 2009
In the period between
the twentieth-century's two world wars, American artists across the country
began to look to their neighbors and to their immediate surroundings for inspiration. They came to be known as
the painters of the American Scene and their work sought to earnestly express
the American experience in all its pleasure and pain, complexity and plurality.
They were at times intensely regional in vision and were connected to their
subjects and to their audiences in ways that earlier (and later) artists
avoided or even shunned. But these painters also produced cogent snapshots
of American values, desires, challenges, and aspirations that resonated
nationwide. In this one intriguing epoch, American artists were simultaneously
integral parts of their respective communities and contributors to the larger
national dialogue on art and on every other topic as well. (right:
Robert Osbourne Chadeayne (1897-1981, Active in Ohio), Service Station,
1935, Oil on canvas, 30 x 36 inches. Signed lower right: R.O. Chadeayne
'35 )
Regional Dialect: American Scene Paintings from the
John and Susan Horseman Collection brings together
major works of art that examine American identity in the first half of the
twentieth century. The Horseman Collection includes impressive paintings
by such seminal artists of the 1920s, 1930s, and 1940s as George Adomeit,
Ross Braught, Robert O. Chadeayne, Carl Gaertner, Joe Jones, Miriam McKinnie,
Marcelline Spencer, Joseph Vorst, Hale Woodruff, and others. But the collection
also features talented regional painters who were important antecedents
to the American Scene, such as Charles Burchfield, Theodore Butler, Paul
Cornoyer, Glen Cooper Henshaw, Adam Lehr, Frank Myers, Elizabeth Nourse,
Birger Sandzén, Alice Schille, and Alice Beach Winter.
The artists in Regional Dialect come from Michigan,
Ohio, Indiana, Illinois, Missouri, and Kansas, but also from Germany, Sweden,
and Armenia. They do not so much adhere to a single style as to a common
commitment to the portrayal of American ways of life. They captured the
width and breadth of the American experience whether painting Depression-era
sharecroppers in the rural South or monuments of industrialism in the upper
Midwest. Their canvases were the shared language of the whole American experiment,
even if they sometimes spoke with an accent or in a Regional Dialect.
The exhibition and catalogue for Regional Dialect was produced by
the Dixon Gallery and Gardens in Memphis
Exhibition catalogue
Regional Dialect will be accompanied
by a 72-page, hardcover catalogue featuring full-color reproductions of
the 57 works in the exhibition. The catalogue entries will be preceded by
a critical essay written by Dixon Gallery director Kevin Sharp, a well-known
voice in the field of American art. Each catalogue entry will include a
short biography of the artist and an analysis of the painting.
Exhibition tour
Regional Dialect opened in
November, 2008 at the Cedarhurst Center for the Arts in Mt. Vernon, Illinois.
The remaining tour schedule is as follows:
- August 1, 2009 - October 13, 2009, Zanesville Art Center,
Zanesville, OH
- November 14, 2009 - February 7, 2010, Mennello Museum
of American Art, Orlando, FL
- March 6, 2010 - May 30, 2010, Morris Museum of Art, Augusta,
GA
(above: Hovsep Pushman (1877-1966, Active in New York, France,
and California), The Reading Lesson (Mother and Daughter), No. 773,
c. 1915, Oil on canvas, 28 _ x 23 _ inches. Signed lower right: Pushman)
(above: Yeteve Smith (1888-1957, Active in Ohio), Sewing
in the Garden, 1925, Oil on canvas, 34 x 27 inches. Signed lower right:
Yeteve Smith)
(above: Amy Jones (1899-1968, Active in New York),
Silk Stockings and Permanent Wave, 1937, Oil on board, 20 x 24 inches.
Signed lower right: Amy Jones 1937)
To view additional images from the exhibition please click here.
-
Checklist
-
- LOOKING FOR THE REGIONAL LANDSCAPE
-
- 1. ALBERT LOREY GROLL
- (1866-1902, Active in New Mexico and Arizona)
- Arizona Wonderland, 1908
- Oil on canvas
- 40 x 49 inches
- Signed lower left: Groll
-
- 2. ROBERT EMMETT OWEN
- (1878-1957, Active in New England)
- Snowstorm, c. 1912
- Oil on canvas
- 25 x 30 inches
- Signed lower left: R. Emmett Owen
-
- 3. BIRGER SANDZEN
- (1871-1954, Active in Kansas and Colorado)
- A Colorado Sunset, c. 1916
- Oil on canvas
- 12 x 16 inches
- Signed lower left: Birger Sandzen
-
- 4. BIRGER SANDZEN
- (1871-1954, Active in Kansas and Colorado)
- Mountain Splendor, Colorado, c. 1920
- Oil on panel
- 8 x 10 inches
- Signed lower left: Birger Sandzen
-
- 5. BIRGER SANDZEN
- (1871-1954, Active in Kansas and Colorado)
- Cedars in the Rockies, c. 1920
- Oil on panel
- 18 x 24 inches
- Signed lower left: Birger Sandzen
-
- 6. BIRGER SANDZEN
- (1871-1954, Active in Kansas and Colorado)
- Poplars in the Moonlight, c. 1920
- Oil on canvas
- 24 x 31 _ inches
- Signed lower right: Birger Sandzen
-
- 7. ALEXIS JEAN FOURNIER
- (1865-1948, Active in Minnesota, New York, and Indiana)
- Cloud Shadows in the Catskills, 1920
- Oil on canvas
- 25 x 34 inches
- Signed lower right: Alex Fournier 1920
-
- 8. JOHN WILLIAM VAWTER
- (1871-1941, Active in Indiana)
- Friendly Neighbors, c. 1921
- Oil on canvas
- 30 x 36 inches
- Signed lower right: Will Vawter
-
- 9. BERNARD PETERS
- (1893 1949, Active in Missouri)
- Gloucester Harbor, 1929
- Oil on canvas
- 36 x 36 inches
- Signed lower right: B. E. Peters 1929
-
- 10. BERNARD PETERS
- (1893 1949, Active in Missouri)
- Untitled (Landscape)
- Oil on canvas
- 36 x 39 _ inches
- Signed lower right: B. E. Peters
-
- 11. ROSS EUGENE BRAUGHT
- (1898 1983, Active in Missouri and New York)
- Untitled (Hills and Rocks), c. 1935
- Oil on canvas
- 29 x 35 inches
- Signed lower center: Ross Braught
-
- 12. JOE JONES
- (1909-1963, Active in Missouri)
- Missouri Autumn, 1935
- Oil on canvas
- 25 x 30 inches
- Signed lower right: Joseph Jones
-
-
- AMERICANS AT WORK
-
- 13. ADAM LEHR
- (1853-1924, Active in Ohio)
- Corn Shocks (Long Island), 1910
- Oil on canvas
- 24 x 36 inches
- Signed lower right: Adam Lehr
-
- 14. HENRY GEORGE KELLER
- (1870-1949, Active in Ohio)
- Logging on the Vermilion River, c. 1910
- Oil on linen
- 39 x 49 inches
- Signed lower left: H. Keller
-
- 15. MAY AMES
- (1869-1943, Active in Ohio)
- Corn Shocks, Brecksville, 1913
- Oil on canvas
- 23 x 35 inches
- Signed lower left: May Ames 1913
-
- 16. ELLIOT DAINGERFIELD
- (1859-1932, Active in New York and North Carolina)
- The Team, c. 1915
- Oil on canvas
- 24 x 27 inches
- Signed lower right: Elliot Dangerfield
-
- 17. CARL GRAF
- (1890-1947, Active in Indiana)
- Evening Chores, c. 1920
- Oil on canvas
- 19 x 23 inches
-
- 18. C. S. PRICE
- (1874-1950, Active in Oregon and California)
- Cloudy Evening, c. 1926
- Oil on canvas
- 30 x 32 inches
- Signed lower left: C.S. Price
-
- 19. CARL GAERTNER
- (1898-1952, Active in Ohio)
- Barn and Furrows, 1928
- Oil on canvas
- 30 x 35 inches
- Estate stamped signed verso
-
- 20. CARL GAERTNER
- (1898-1952, Active in Ohio)
- Winter Homestead, 1928
- Oil on canvas
- 31 x 33 inches
- Estate stamped signed on stretcher
-
- 21. CARL GAERTNER
- (1898-1952, Active in Ohio)
- Swamp Spur, 1944
- Oil on masonite
- 24 x 40 inches
- Signed and dated lower right: Carl Gaertner 1944
-
- 22. GEORGE G. ADOMEIT
- (1879-1967, Active in Ohio)
- Tilling the Fields, Zoar, 1931
- Oil on canvas over masonite
- 25 x 34 inches
- Signed lower right: Geo. G. Adomeit
-
- 23. MIRIAM McKINNIE
- (1906-1987, Active in Missouri)
- The Gleaners, ca. 1934
- Oil on canvas
- 23 x 42 inches
- Signed lower left: McKinnie
-
- 24. HALE WOODRUFF
- (American, Active in Georgia and New York)
- Negro Cotton Pickers, ca. 1935
- Oil on canvas
- 35 x 24 inches
- Signed lower left: Hale Woodruff
-
- 25. AMY JONES
- (1899-1968, Active in New York)
- Silk Stockings and Permanent Wave, 1937
- Oil on board
- 20 x 24 inches
- Signed lower right: Amy Jones 1937
-
- 26. ALEXANDER (ALEC) WATSON BAIRD
- (1910-1990, Active in New York and the American South)
- Cotton Pickers' Serenade, 1938
- Oil on canvas
- 30 x 42 _ inches
- Signed lower right: Alec W. Baird
-
- 27. JOSEPH PAUL VORST
- (1897-1947, Active in Missouri)
- Flood Tragedy, 1940
- Oil/canvas stretched on panel
- 52 x 44 inches
- Signed lower right: J. Vorst
-
- 28. JOSEPH PAUL VORST
- (1897-1947, Active in Missouri)
- Good Lord Gives Peace, c. 1943
- Oil/canvas stretched on panel
- 48 x 36 inches
- Signed lower right: Vorst
-
-
- THE CITY OF THE AMERICAN SCENE
-
- 29. PAUL CORNOYER
- (1864-1923, Active in Missouri, France, and New York)
- Bryant Park, New York City, c. 1910
- Oil on canvas
- 32 x 36 inches
-
- 30. FREDERICK GREENE CARPENTER
- (1882-1965, Active in Missouri and France)
- Quatre Arts Ball, 1913
- Oil on canvas
- 36 _ x 30 _ inches
- Signed lower left: F. G. Carpenter '13
-
- 31. GLEN COOPER HENSHAW
- (1880-1946, Active in Indiana, France, Maryland, and New York)
- Madison Avenue After the Rain, 1915
- Oil on canvas
- 49 x 39 inches
- Signed lower right: Henshaw 1915
-
- 32. WILLIAM H. KINNICUTT
- (1865-1934, Active in Ohio)
- Public Square, Cleveland, c. 1919
- Oil on canvas
- 30 x 36 inches
- Signed lower right: W. H. Kinnicutt
-
- 33. GEORGE HERBERT BAKER
- (1878-1943, Active in Indiana)
- Rooftops of Richmond, 1924
- Oil on canvas
- 30 x 34 inches
- Signed lower right: G. H. Baker 1924
-
- 34. CARL GAERTNER
- (1898-1952, Active in Ohio)
- Around the Bend, Cuyahoga River, 1925
- Oil on canvas
- 24 x 30 inches
- Signed verso
-
- 35. MARCELLINE SPENCER
- (1910 1986, Active in Ohio and Indiana)
- Cleveland Flats, c. 1930
- Oil on board
- 27 x 36 inches
- Signed lower left: M. Spencer
-
- 36.