Laguna Art Museum
Laguna Beach, California
949.494.6531
www.lagunaartmuseum.org
After the Photo-Secession: American Pictorial Photography, 1910-1955
Nothing helped the recognition of
photography as an art in this country like the Photo-Secession, a high-minded
group of select photographers organized in 1902 by Alfred Stieglitz. After
the Photo-Secession disbanded in 1910, pictorial photography thrived for
another fifty years.
The rich and often overlooked pictorial photography movement
is the focus of After the Photo-Secession: American Pictorial Photography,
1910-1955. The exhibition features 75 photographs by 50 photographers
including A. Aubrey Bodine, William Mortensen (a Laguna Beach resident for
30 years), Will Connell, Jane Reece, Eleanor Park Custis, Imogen Cunningham,
Adolf Fassbender, and Wellington Lee. Organized by The Minneapolis Institute
of Arts, the show is made possible at LAM by the A. Gary Anderson Family
Foundation and the William Gillespie Foundation. The exhibition will be
on view at the Laguna Art Museum May 1-July 11, 1999. A 200-page catalogue
accompanies the exhibition.
Stimulated by an evolving progressive American middle class,
pictorialists embraced a wide range of artistic
styles, including elements of modernism and commercialism,
in order to convey an acceptable emotional appeal and to tap common feelings
with their photography. The pictorialists who focused on traditional beauty
tended to strive for simplicity with soft-focus effects and hand-manipulated
imagery. Photographers influenced by modernism embraced contemporary subjects,
rendered more sharply focused images, and used bold visual effects.
During
the pictorial era, camera clubs flourished in most cities and offered a
variety of activities. The public flocked to pictorialist exhibitions and
created a constant demand for magazines and books on photography. Photography
became known as the art of the people, and women entered the pictorial ranks
in large numbers.
Images from top to bottom (click on thumbnail images to enlarge them): Axel Bahnsen (1907-1978), Conscience, 1941, gelatin silver print, The Minneapolis Institute of Arts; Wellington Lee, Girl from Mars, 1955, gelatin silver print, The Minneapolis Institute of Arts; Aubrey A. Bodine, Baltimore Harbor, 1940s, gelatin silver print, The Minneapolis Institute of Arts; Adolf Fassbender, Dynamic Symbol, New York World's Fair, 1939, gelatin silver print, The Minneapolis Institute of Arts
Read more in Resource Library about the Laguna Art Museum
For further biographical information on selected artists cited above please see America's Distinguished Artists, a national registry of historic artists.
rev. 10/18/10
Search Resource Library for thousands of articles and essays on American art.
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