512.495.9224 Downtown - 512.458-8191 Laguna Gloria
It's Only Rock and Roll: Rock and Roll Currents In Contemporary Art
The Austin Museum of Art hosts the exhibition It's Only Rock
and Roll: Rock and Roll Currents In Contemporary Art through April 3,1999
at AMOA-Downtown, 823 Congress Avenue and AMOA-Laguna Gloria, 3809 West
35th Street. The exhibition is sponsored by Philip Morris Companies Inc.
This major exhibition is the first to explore the significant
role that rock-and-roll music has played as an influence on the visual arts
since the 1960s. The exhibition features works by nearly 100 artists including
such well known figures as Robert Rauschenberg, Nam June Paik, and Andy
Warhol, as well as by many significant younger artists like Christian Marclay,
Luis Cruz Azaceta, and Carrie Mae
Weems. Featuring nearly 150 works in a variety of
artistic media, the exhibition is divided between the Museum's two sites,
AMOA-Downtown and AMOA-Laguna Gloria. Austin Museum of Art Director Elizabeth
Ferrer said, "We are proud to offer this exhibition to Austin as a
complement to the city's rich music scene. It is also fitting that the timing
of this exhibition will coincide with the SXSW Music Festival."
It's Only Rock and Roll: Rock and Roll Currents In Contemporary
Art is organized by Exhibition Management
Inc. and
is curated by David Rubin, Curator of Twentieth Century Art at the Phoenix
Art Museum. The exhibition begins with Pop-inspired works from the 1960s
by such artists as Derek Boshier and Peter Blake, demonstrating the manner
in which artists integrated images from
rock-and-roll culture in their work even in the early
years of rock's ascendance. It continues with works from the later 1960s
that suggest how a rock-and-roll "style" began to take visual
form, manifested in Andy Warhol's silkscreen portraits of performers like
Mick Jagger or Wallace Berman's psychedelic-era inspired collages. Since
this time, rock and roll has inspired artists in disparate ways, as in Annie
Leibovitz's memorable portraits of rock stars, Christian Marclay's conceptually
based art incorporating such objects as album covers and recycled records,
or Pruitt-Early's explorations of contemporary male teen culture and aesthetic
values. In combining these diverse works, the exhibition also provides a
fascinating look into the varied currents of contemporary visual arts over
the last three decades.
This exhibition is accompanied by a major catalogue with
over 100 color illustrations and an introduction by Deborah Harry. The catalogue
will be sold in the shops of both Museum locations. 
From top to bottom: Robert Arneson (American, 1930-1992), Willie, 1984, ceramic, 21 1/2 x 13 x 17 inches, collection of Mr. and Mrs. William Wilson III, San Mateo, CA; Nam June Paik, (Korean, b. 1932), Dharma Wheel Turns, 1990, 78 rpm and 45 rpm records, CD, reel to reel tape, headphone, TV tubes, tape cassettes, 16 1/4 x 15 1/2 x 12 inches, courtesy of the Holly Solomon Gallery, New York; Edward Ruscha (American,b. 1937), Hit Record, 1980, pastel on paper, 23 x 29 inches, courtesy of the artist; Robert Rauschenberg, (American, b. 1925), Signs, 1970, silkscreen, edition of 250, 43 x 34 inches, collection of Lindy and Richard Barnett, Cleveland, © Robert Rauschenberg, licensed by VAGA, New York, NY; Luis Cruz Azaceta, (American, b. Cuba, 1942), What a Wonderful World, 1992, acrylic on canvas, with photos 120 x 120 inches, courtesy of Franklin/Adams Gallery, New York; Peter Brake, (British, b. 1932), Everly Wall, 1959, collage on hardboard, 36 x 24 inches, courtesy of Terry Blake, London; Robert Mapplethorpe (American, 1946-1989), Patti Smith, 1975, gelatin silver print, 20 x 16 inches, © 1975 The Estate of Robert Mapplethorpe, courtesy of Robert Miller Gallery, New York
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