Chronology of Articles and
Essays
October, 2002
-
- From Realism to Abstraction:
Art in New Mexico, 1917-2002 (10/31/02)
- Marsden Hartley Retrospective
(10/31/02)
- New Center for American Art
at the Philadelphia Museum of Art (10/31/02)
- A Walk in the Woods: The Art
of John Elwood Bundy (1853-1933), essay by William H. Gerdts (10/30/02)
- Mastering the Medium: American
Watercolors from the Museum's Collection, 1870-1970 (10/29/02)
- WAY BACK WHEN: Celebration
of the Concocted, article by Roger Dunbier (10/29/02)
- Southwestern Colonial Art,
essay by Robert William Brown (10/28/02)
- Shadow Pictures, 1984,
by Timothy Van Laar (b. 1951), essay by Gregg Hertzlieb (10/16/02)
- Chapman University Guggenheim
Gallery: To Move the Stars, essay by Eve Wood (10/16/02)
- Pennsylvania Impressionism,
co-published by the Michener Art Museum and the University of Pennsylvania
Press (10/16/02)
- Sun Rise, 1870, An Arctic
Landscape by the Artist William Bradford (1823-1892), essay by Gregg Hertzlieb
(10/16/02)
- Pierre Daura: Reflections and
Creations, essay by Kerry Greaves (10/15/02)
- Stuart Davis: Prints and Drawings
(10/15/02)
- Pierre Daura: A Retrospective
at the Vero Beach Museum of Art (10/15/02)
- Eliot Porter: The Color of
Wildness (10/14/02)
- Celebrating America: Masterworks
from Texas Collections (10/14/02)
- California Plein Air
News, article by Sarah Beserra (10/14/02)
- Coming and Going: Time and
Motion in the Paintings of Caren Canier; essay by Katherine French (10/11/02)
- Corn Shocks and Pumpkins,
1864, by William Trost Richards (1833-1905), essay by Richard H. W. Brauer
(10/10/02)
- Francesco Spicuzza An Exponent
of Beauty and Light: A Family Collection (10/9/02)
- An Endless Panorama of Beauty:
Selections from the Jean and Alvin Snowiss Collection of American Art (10/9/02)
- Cecil Clark Davis: A Woman
Ahead of Her Time , essay by David B. Boyce (10/8/02)
- Elie Nadelman: Sculptor of
Modern Life (10/8/02)
- An American Legacy, A Gift
to New York (10/8/02)
- A Selection of Work by the
Artist Roger Brown (1941-1997), essay by Gregg Hertzlieb (10/5/02)
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