2009 Museum Calendar
American Representational Art Exhibitions
Hosted by Non-Profit Museums and Organizations
-
February
-
- Albany (NY) Institute of History
and Art
- HUDSON RIVER PANORAMA: 400 Years of History, Art and Culture *
- February 7 through January 3
-
-
- Arizona State University Art Museum
- Eden Revisited: The Ceramic Art of Kurt Weiser *
- February 14 through May 16
-
-
- Arkell Museum at Canajoharie
- Love Story *
- February 1 through May 3
-
-
- Austin Museum of Art
- Lordy Rodriguez: States of America *
- February 21 through May 17
-
-
- Boston University Art Galleries
- Sidney Hurwitz: 50 Years of Prints *
- February 13 through March 29
-
-
- Brigham Young University Museum
of Art
- Visions of the Southwest from the Diane and Sam Stewart Art Collection
*
- February 13 through July 3
-
-
- California Historical Society Museum
- Hobos to Street People: Artists' Responses to Homelessness from the
New Deal to the Present *
- February 19 through August 15
-
-
- Cedarhurst Center for the Arts
/ Mitchell Museum
- The Art of Jazz *
- February 28 through May 3
-
-
- Claremont Museum of Art
- James Hueter: A Retrospective *
- February 22 through May 3
-
-
- Columbus Museum - Georgia
- By Native Hands: Native American Basketry from the Lauren Rogers Museum
of Art *
- February 8 through June 14
-
-
- Georgia O'Keeffe Museum
- Modernists in New Mexico: Works from a Private Collector *
- February 13 through May 10
-
-
- Hillstrom Museum of Art
- Migrations: New Directions in Native American Art *
- February 16 through April 19
-
-
- Minneapolis Institute of Arts
- Noble Dreams & Simple Pleasures: American Masterworks from Minnesota
Collections *
- February 22 through May 3
-
-
- Museum of Indian Arts and Culture
- Native American Picture Books of Change *
- February 15 through January 2
-
-
- Oklahoma City Museum of Art
- Harlem Renaissance *
- February 5 through April 19
-
-
- Palm Springs Art Museum
- Wayne Thiebaud: Seventy Years of Painting *
- February 11 through May 9
-
-
- Pensacola Museum of Art
- Tradition/Innovation: American Masterpieces of Southern Craft and Traditional
Art *
- February 27 through April 25
-
-
- San Antonio Museum of Art
- Marcia Gygli King: Botanical Paintings *
- February 5 through April 12
-
-
- Seattle Art Museum
- George de Forest Brush: The Indian Paintings *
- February 26 through May 24
- Life, Liberty and the Pursuit of Happiness: American Art from the Yale
University Art Gallery *
- February 26 through May 24, 2009
-
-
- Spertus Museum
- African American Art and the Julius Rosenwald Fund *
- February 6 through July 5
-
-
- Smart Museum of Art - University
of Chicago
- Your Pal, Cliff: Selections from the H.C. Westermann Study Collection
- February 19 through June 14
-
-
- Springville Museum of Art
- Redrock, Sage & Pinon *
- February 28 through May 3
-
-
- Stark Museum of Art
- Bluebonnets and Beyond: Julian Onderdonk, American Impressionist *
- February 10 through May 24
-
-
- Tyler Museum of Art
- Scenes from the American West: The Phelan Collection *
- February 22 through May 17
-
-
- Utah Museum of Fine Arts at University
of Utah
- Splendid Heritage: Perspectives on American Indian Art *
- February 10 through January 3
-
-
- Virginia Museum of Fine Arts
- Labor and Leisure: Works by African-American Artists from the Permanent
Collection of the Virginia Museum of Fine Arts *
- February 4 through May 3
-
-
- Walker Art Center
- Live Forever: Elizabeth Peyton *
- February 14 through June 14
-
-
- Washington County Museum of Fine
Arts
- Three Maryland Artists *
- February 14 through June 14
What is included
These calendars reference exhibitions devoted primarily to American
representational art. Not all exhibitions submitted to TFAO are included
in calendars.
Excluded content includes:
- group exhibitions of artist organizations, faculties and students at
museums or art centers
- exhibits not deemed to be balanced in favor of American representational
art
- photography exhibits that feature photo-journalism or are by emerging
photographers
- computer-generated art exhibits
- video exhibits
- current and upcoming commercial gallery exhibitions
- exhibits on tour when TFAO has prior articles covering the traveling
exhibit from early venues
Resource Library selectively publishes publicity articles concerning
retrospective exhibitions of artist organizations' individual members at
museums or art centers. Artist organizations include cooperatives, clubs
and other membership societies.
Revisions of dates are accepted and encouraged in order for calendars
to be as accurate as possible. The deadline for inclusion in a current monthly
calendar is the first day of that month.
To make the most of your
visit to an exhibition
If you are touring, you will find American art
venues to visit Indexed
by State within the United States. Call the museum
in advance to see if you can:
- join a docent tour to interpret the exhibition
- make a reservation to have lunch in the museum
cafe
- use your camera to take pictures of the art
- download an iPod tour at home to play while you
are in the galleries
- use your cellphone in the galleries to play an
audio tour
Exhibition dates may and do change without prior
notice from museums to TFAO. Always verify dates directly with museums before
visiting their exhibitions.
Museums often have closed days. Mondays are common
in the USA but sometimes there are other closed days or multiple closed
days. It's a good idea to arrive early or late in the day when there are
less crowds. Many museums have tours for school children in the morning,
causing increased traffic. Some museums have evening hours and many offer
free days throughout the year.
When arriving you can get an idea of what the museum
considers it's most cherished works by scanning the postcards in the museum
gift shop. Or take a look through books that describe the museum's collection.
Larger museums have kiosks, brochures, and even computer rooms for viewing
the collection on a screen.
To enrich your visit you may enjoy reading TFAO's
Museums Explained.
Also, to learn how museums put together exhibitions and tour them, please
see TFAO's Planning, Organizing
and Touring Art Exhibitions.
How TFAO updates calendars
Future calendars are updated in two ways:
Systematically:
- On a bimonthly basis, TFAO volunteers review the Calendar Update Schedule
(see A-C D-G H-L M-Q R-S
T-Z) to locate museums for which
their furthest exhibition closing month has expired. TFAO then reviews
the current and future exhibition sections of websites of targeted museums
for new information. TFAO then updates the Schedule's listings for the
targeted museums with new information by listing on the schedule the earlier
of: 1. the furthest exhibition closing month in time or 2. a month which
TFAO deems important for follow up. As a part of this review TFAO also
updates the related exhibition calendar to include information on newly
discovered exhibitions.
-
Occasionally:
- Future calendars and Calendar Update Schedules are checked and updated
on a continuous basis as information is received by email from museum sources.
How TFAO uses calendars
Towards the end of each month TFAO volunteers review the calendar for
all of the listed exhibition openings for that month. TFAO then reviews
published exhibition articles and essays in the sub-index page for each
related museum to determine if Resource Library has already published
an article or essay concerning each calendar listing. If Resource Library
has not yet published an article or essay, TFAO may send by email a request
for exhibition information to the museum. TFAO sends requests near the end
of the exhibition opening month to allow museums time to gather .jpg images
and texts from gallery guides, brochures or catalogues, exhibition wall
panels and labels, as well as press releases. TFAO requires six hundred
or more words of text to publish a Resource Library article or essay
for an exhibition.
* indicates inquiry made by TFAO regarding
this exhibition.
Return to annual Calendars
of Exhibitions
Links to sources of information outside of our web site
are provided only as referrals for your further consideration. Please use
due diligence in judging the quality of information contained in these and
all other web sites. Information from linked sources may be inaccurate or
out of date. Traditional Fine Arts Organization,
Inc. (TFAO)
neither recommends or endorses these referenced organizations. Although
TFAO includes links to other web sites, it takes no responsibility for the
content or information contained on those other sites, nor exerts any editorial
or other control over them. For more information on evaluating web pages
see TFAO's General Resources section in
Online Resources for Collectors and Students of Art History.
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